Pinero

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Pinero Genres: Biography, Drama Year: 2001 IMDB Rating: 6.20 IMDB Votes: 548 Actors: Soto, Talisa as Sugar, Esposito, Giancarlo as Miguel Algarin, Sanchez, Jaime as Miguel's Father, Moreno, Rita as Miguel's Mother, Wright, Michael as Edgar, Patinkin, Mandy as Joseph Papp, Neal, Rome as Jake, Irby, Michael as Reinaldo Povod, Domoulin, Sophia as Shooting Gallery Woman, Vasquez, Nelson as Tito Goya, Cruz, Miriam as Bodega Woman, Colon, Oscar A. as Bodega Man, Bratt, Benjamin as Miguel Pinero, Caballero, Luis as Shooting Gallery Man, Rodriguez, Al D. as Cuqui

'Pinero' tells the story of the explosive life of a Latino icon, the poet-playwright-actor Miguel Pinero, whose urban poetry is recognized as a pre-cursor to rap and hip-hop. After doing time in hard-core Sing-Sing for petty thefts and drug dealing, Pinero's prison experiences developed into the 1974 Tony-nominated play Short Eyes. The resulting notoriety and fame was too much for the Latino bad-boy genius who retreated to the darker corners of New York City.
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Pinero is, to put it simply, a brilliant film. The representation of the life of poet tortured by Leon Ichaso is nothing short of breath-taking. The disjointed chronology, the flashbacks, the constant juxtaposition of black and white and color films that this movie really bring out the essence of the life of Pinero. Bratt does an excellent job of imitating the man, right at the New York accent, and I must say that I am a bit disappointed that this film, and specifically Bratt, is not recognized in the most recent nominations. The "Searching for a Cause" at the scene of the rooftop is one of the best in the movie, and really sums up the attitude and the general atmosphere of the film. At a time when the creations of Hollywood are falling into the creativity and spirit, this is a refreshing change. Thanks Ichaso, Bratt and, especially, Miguel Pinero.

Pinero finally makes it to my five films of 2001. It is one of the best movies I've seen. I fully immersed in the history of this multifaceted artist who lived his life with drugs and poems, success and the streets of the Lower East Side. Benjamin Bratt gives a surprising performance - far from the "nice" characters who used to play. I totally bought into it Pinero. I was not a second to think of him as Benjamin Bratt - is Pinero with all their might.

I was anxious to see Pinero, like the actor Benjamin Bratt. I thought it might be similar to other films with Hispanic themes, such as' Before night fell, 'or' In The Sea "- both films that I enjoyed. Unfortunately, this is not the case here. The film falls short on several levels. I thought overacted Bratt, most often comes from swaggering like a quasi-cool Hispanic Matthew McConaughey (and I do not think we need another), instead of a "street wise" urban poet. His character Pinero does not have a shred of likability to him, his art and apparently was not the case, I found poetry created somewhat shopworn. Like others, I could see no reason why this man was an important personage or artist, or why exactly was a "feeling of New York." The management style is too confusing. It's probably just me, but I sometimes do not know what the decade I was in, what steps were being 'on stage', and what actually happens in real time. This fall edition of the court also seems a bit dated as well. In short, I still like Benjamin Bratt (who does not need an approval), but did not find that this is a good film.

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